I mailed out the BellumLetters chaps for Dusie yesterday. It's an interesting punctuation for a project that I feel is still developing. I like this actually -- the idea of publication as a moment of shift or diversion or pause as opposed to a sort of terminus or ending. It's almost a way to see it as a terminus in literal sense -- a point of simultaneous departure and arrival in all sorts of directions. Disruption.
In the end, I opted for a design that satisfied my desire for a tactile sense of the pedestrian. A design that used materials familiar to me from days in elementary school. The war is in everything I touch. It is even in construction paper and glue. And in stickers from kmart. Stickers that depict dog tags and tanks and army stars and bombers and helicopters. No ambulances. No wounds. No flag-draped coffins. No people even. Only the depiction of materials that remotely represent the human who wears the dog tags, who drives the tank, who flies the plane. And a representation in which "the enemy" is an absence. A space without. For a moment it possible to imagine that soldiers are released to this emptiness. That this emptiness is not a construction that intends to conceal the humans who live there. Live where soldiers are sent to fight. Sent to _________.
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is this real?
2 comments:
& the book is totally rad! In every way a fitting translation of the hypertext originals...
Talk soon?
C
yes, must talk soon!
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