Showing posts with label publication. Show all posts
Showing posts with label publication. Show all posts

Thursday, February 12, 2009

Good news


My pamphlet "How Hate Got Hand" is now available from eohippus labs.

Eohippus labs is the project of Amanda Ackerman and Harold Abramowitz, two of the coolest people ever.

Harold has a new e-book out from Little Red Leaves, and Hex Press will be publishing Amanda's chapbook this summer.

Also, the new issue of Little Red Leave is gorgeous and full of really awesome poetry.

Sunday, November 16, 2008

No Tell Motel

You probably already know that Reb Livingston is awesome. I'm super-stoked to have my poems at No Tell Motel this week. It's also my birthday week, which makes it extra good. xoxoxo

Sunday, August 24, 2008

otoliths

I love Otoliths, and I'm super-stoked to have some poems there.

Tuesday, February 05, 2008

Wednesday, July 25, 2007

Lunar Baedeker: A Hex Presse Poetry Puzzle inspired by Mina Loy

@ the Hex Presse etsy shop

ABOUT "Lunar Baedeker"

This puzzle was inspired by Mina Loys's Poem "Lunar Baedeker"

CONTENTS:

*The letters of six words from the poem: chandelier, whirl, phosphorous, ecstatic, museums, infusoria. The letters appear on brightly-colored plastic beads.

*one hematite bead

*tiny silver key

*blue yarn

*two mermaids

*zinnia seeds

*tiny silver bells

*small brown glass bottle

*bundle of bedtime tea (organic mint and chamomile) tied with iridescent organza ribbon.

*3 black licorice cats

*blue and purple sequins

*tiny blue crayon

*bitty dried flowers

*flower shaped sequins

*white feathers

*iridescent bird confetti

*small white plastic dove

*3 sea-green medium sized beads

*red glass heart

*six hexagon shaped zinc nuts

*small round mirror




Friday, July 20, 2007

"Sestina" : a Hex Presse Poetry Puzzle inspired by Elizabeth Bishop

~*~ SPECIMEN JAR POETRY PUZZLES ~*~
for sale at the Hex Presse Shop

The letters of six words from a single poem are gathered and stored in glass specimen jars. "Sestina" comes in a triangular jar and contains brightly-colored letter beads which allow the player/puzzler to experience the letters synesthetically. Because the letters are also impressed on the beads, once can "feel" the letters, thus allowing for the experience of "feeling" and "seeing" as simultaneous acts of "reading." The puzzle jars can be emptied and their letter contents "solved" to spell the words from the poem. The letters can be used to make anagrams and new words also. In addition to letters, other materials are harvested and added to the jar for further delight and stimulation. These additional materials are carefully selected and are -- to a certain degree -- intended to conjure sensory details related to the poem which inspired the puzzle. Something for each of the *six* senses is contained in each Hex Presse Specimen Jar Poetry Puzzle. This "syntax of tangibles" can be used to create poems, to conjure new ideas, and to amuse, delight, and inspire. For students of poetry, Hex Presse Specimen Jar Poetry Puzzles enhance understanding and enjoyment of the poetry. Like Cleromancy games, Hex Presse Specimen Jar Poetry Puzzles are an exciting, surprising, and unique way to engage with poetry.















ABOUT "SESTINA"

This puzzle was inspired by Elizabeth Bishop's Poem "Sestina."

CONTENTS:

*The letters of six words from the poem. Since this poem is a sestina, it seemed appropriate to use the six end words: house, grandmother, child, stove, almanac, tears. The letters appear on brightly-colored plastic beads.

*six morning glory seeds ("time to plant tears")

*a bundle of tea tied with silver "rain" (ribbon)

*a bird-shaped lampwork glass bead

*a flower-shaped lampwork glass bead

*a tiny spool of thread

*six plastic buttons

*six plastic flowers

*six hexagon-shaped zinc nuts (to turn)

*one dried bloom from a Persian Silk Tree (albizia julibrissin)

*3 multi-colored glass beads, one oval, one rectangular, and one spherical.

*tiny silver key charm on a white string

*one tiny sprig of fresh mint

*one valerian capsule

*one white plastic dove

*tear-shaped multi-colored sequins

*a hook and eye

*robin's eggs made of plastic

*tiny silver bells

*one "White Rabbit" milk candy

*tiny pinecones

*one small round mirror

*three white feathers

*star-shaped bark from a Laurel tree

*one match


x-posted to hex presse blog

Thursday, July 12, 2007

Cleromancy Poetry Game # 2, "cup-like lilies" CHRISTINA ROSSETTI, curated by JESSICA SMITH

Now available at Etsy.

******six word dice for poetry, divination, and play******

*Cleromancy Poetry Game # 2, "cup-like lilies," is sourced from the work of Christina Rossetti
*Curated by Jessica Smith
*Six dice; each side of each dice has a different word (for a total of 36 words)
*Comes in a hexagon shaped box
*Dice and box are pyrographed and inked by hand
*Roll the dice to make poems or divinations
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Cleromancy is a form of divination using sortilege, casting lots or casting bones in which an outcome is determined by random means, such as the rolling of a dice.
___________________________________

Cleromancy Games are published in *very* limited editions (there will only be six of each). Due to their handmade nature and differences in the patterns and texture of the woodgrain, each Cleromancy game is entirely unique.

____________________________________

Jessica Smith edits Outside Voices Press, an umbrella for Outside Voices Books, Take-Home Project chapbooks, and FOURSQUARE magazine. Her first book, Organic Furniture Cellar, is available from the Press website at outsidevoices.org

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There will be MORE cleromancy poetry games from Hex Presse. Each game will be sourced from "woman-authored texts"** and contemporary poets will be invited to "curate" the dice. Cleromancy #3 also will be curated by Jessica Smith and sourced from the work of Christina Rossetti. Cleromancy #4 will be curated by Michalle Gould and sourced from the work of Virginia Woolf.

**open to interpretation :)

x-posted to hex presse blog and womb blog

Friday, June 15, 2007

BellumLetters en route

I mailed out the BellumLetters chaps for Dusie yesterday. It's an interesting punctuation for a project that I feel is still developing. I like this actually -- the idea of publication as a moment of shift or diversion or pause as opposed to a sort of terminus or ending. It's almost a way to see it as a terminus in literal sense -- a point of simultaneous departure and arrival in all sorts of directions. Disruption.

In the end, I opted for a design that satisfied my desire for a tactile sense of the pedestrian. A design that used materials familiar to me from days in elementary school. The war is in everything I touch. It is even in construction paper and glue. And in stickers from kmart. Stickers that depict dog tags and tanks and army stars and bombers and helicopters. No ambulances. No wounds. No flag-draped coffins. No people even. Only the depiction of materials that remotely represent the human who wears the dog tags, who drives the tank, who flies the plane. And a representation in which "the enemy" is an absence. A space without. For a moment it possible to imagine that soldiers are released to this emptiness. That this emptiness is not a construction that intends to conceal the humans who live there. Live where soldiers are sent to fight. Sent to _________.
is this real?